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Silent Films: pre-team 1921-1927 Laurel and Hardy Silents 1927 Laurel and Hardy Silents 1928 Laurel and Hardy Silents 1929 Laurel and Hardy sound films (alphabetical order): A-Haunting We Will Go Air Raid Wardens Another Fine Mess Any Old Port! Atoll K (aka Utopia) Babes In Toyland Beau Hunks Be Big! Below Zero Berth Marks The Big Noise Block-Heads Blotto The Bohemian Girl Bonnie Scotland Brats The Bullfighters Busy Bodies Chickens Come Home - The Chimp A Chump At Oxford Come Clean County Hospital The Dancing Masters The Devil's Brother aka Fra Diavolo Dirty Work The Fixer Uppers The Flying Deuces Fra Diavolo aka The Devil's Brother Going Bye-Bye! Great Guns Helpmates Hog Wild The Hoose-Gow Jitterbugs Laughing Gravy The Laurel-Hardy Murder Case The Live Ghost Me And My Pal Men O'War The Midnight Patrol The Music Box Night Owls Nothing But Trouble Oliver The Eighth One Good Turn Our Relations Our Wife Pack Up Your Troubles Pardon Us Perfect Day Saps At Sea Scram! Sons of the Desert Swiss Miss Their First Mistake Them Thar Hills They Go Boom! Thicker Than Water Tit For Tat Towed In A Hole Twice Two Unaccustomed As We Are Utopia (aka Atoll K) Way Out West Specials: Cameos Cartoons For Love Or Mummy Laurel and Hardy Memories "Stan" | Be Big! Year: 1931 Directed by: James Parrott Duration: 28m DVD Availability: Try sendit.com (region 2 only) ![]() Viewpoint: "No man is bigger than the excuses he can make to his wife." Not the finest moment for the duo, particularly on a technical level. The direction and editing are all over the place (often using long shots for reactions) and even in the newly restored version the sound quality is muddy. Basic plot seems to read as a try-out for Sons of the Desert, with Stan and Ollie duping their wives so they can go to a stag party. Though in the case of this short they never quite make it there. Most of the slapstick sequences feel oddly laboured and contrived (Ollie at one point taking over twelve minutes trying to get a boot off), not least because they’re all backed up by an overstated musical score. I’ve got a new theory: the funniness of Laurel and Hardy is directly proportional to the length of Stan’s hair. In the amusing Chickens Come Home-, made the same year, he sports a large quiff, yet here it's just medium length and not as extreme. Not awful, but Be Big! feels more like a formula filler rather than any great step forward in their career.
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