Silent Films:

pre-team 1921-1927

Laurel and Hardy Silents 1927

Laurel and Hardy Silents 1928

Laurel and Hardy Silents 1929



Laurel and Hardy sound films
(alphabetical order):


A-Haunting We Will Go

Air Raid Wardens

Another Fine Mess

Any Old Port!

Atoll K (aka Utopia)

Babes In Toyland

Beau Hunks

Be Big!

Below Zero

Berth Marks

The Big Noise

Block-Heads

Blotto

The Bohemian Girl

Bonnie Scotland

Brats

The Bullfighters

Busy Bodies

Chickens Come Home -

The Chimp

A Chump At Oxford

Come Clean

County Hospital

The Dancing Masters

The Devil's Brother aka Fra Diavolo

Dirty Work

The Fixer Uppers

The Flying Deuces

Fra Diavolo aka The Devil's Brother

Going Bye-Bye!

Great Guns

Helpmates

Hog Wild

The Hoose-Gow

Jitterbugs

Laughing Gravy

The Laurel-Hardy Murder Case

The Live Ghost

Me And My Pal

Men O'War

The Midnight Patrol

The Music Box

Night Owls

Nothing But Trouble

Oliver The Eighth

One Good Turn

Our Relations

Our Wife

Pack Up Your Troubles

Pardon Us

Perfect Day

Saps At Sea

Scram!

Sons of the Desert

Swiss Miss

Their First Mistake

Them Thar Hills

They Go Boom!

Thicker Than Water

Tit For Tat

Towed In A Hole

Twice Two

Unaccustomed As We Are

Utopia (aka Atoll K)

Way Out West



Specials:

Cameos

Cartoons

For Love Or Mummy

Laurel and Hardy Memories

"Stan"

The Bohemian Girl

Year: 1936
Written by: Frank Butler
Based on: Michael William Balfe's Opera (1843)
Directed by: James Horne, Charles Rogers and Hal Roach (uncredited)
Duration: 68m
DVD Availability: Try sendit.com (region 2 only)

The boys certainly get a rough deal in this one Stan slings the wallet in the air with amazing accuracy

Viewpoint:
"Do you believe me, or believe what I see?"

What a good thing it is that Laurel and Hardy movies are not open to great critical debate. That way, you don’t have to worry that The Bohemian Girl isn’t one of their better efforts. We don’t have to argue that, as with the fitfully amusing Swiss Miss, the operatic elements fail to gel and should have been removed. Yes, as a music-free short this would have been vastly superior, but so what? Laurel and Hardy aren’t satirists; they don’t indulge in Freudian critiques or social commentary, and all the better for it.

Their brand of simple, slapstick fun is submerged, but if you can wade through the irrelevant gypsy sequences then it’s there, just as funny as ever. Just the simple things, like Ollie smacking himself in the face with a potato, or Stan asking a town crier ("Nine o’clock and all’s well") "Say, could you tell us the time?" – then following it up by nicking his bell.

An unusually portly Stan here gets to do something I’ve never seen him do before – break the fourth wall with an Ollie-style double take to camera. [*] Look at the scene where Stan steals a wallet, backflips it to Ollie with not a single look back, and Hardy catches it in his hat and curves it back onto his head – all in one fluid motion. This is the first Laurel & Hardy film I’d seen since the apocryphal Bronson Pinchot/Gailard Sartain version, For Love Or Mummy. This only serves to heighten appreciation of how good the real duo’s timing was.

It is weird seeing the two as conmen, but they’re still as likeable as ever. Stan even gets to do the "floating finger" routine. Other elements quite racy for 1936 include adultery and child abduction. Yet great visual gags abound – "Give me part of the banana" orders a bossy Hardy before Stan hands him the skin. There’s even some surreal stuff, like Stan’s female/deep singing voices and his stretchy ear. Okay, both of those are throwbacks to Way Out West [**], but if they work, why not use ‘em? A classic four-minute scene has Laurel getting inadvertently drunk while trying to fill bottles of wine.

The somewhat overbearing opera fixations are even punctured by a Stan who eats Ollie’s breakfast because he doesn’t know how long a song will take to finish. There’s even room for James Finlayson to get in on the act.

Yes, The Bohemian Girl isn’t Laurel and Hardy at their best. Yet when even their average films are this funny, then who cares?

* I'm talking rubbish here... Stan has done more than a few looks to camera, particularly in their silent period.
** I'm talking rubbish again here... this film was made before Way Out West. Didn't I bother to do any research when I wrote this one? I ask you!




Scanning back through this one on DVD a couple of years after writing the review I noticed how stylish some of the direction is. Worth a reappraisal this one, I think One of the trick endings of Stan's that Hal Roach hated so much