Silent Films:

pre-team 1921-1927

Laurel and Hardy Silents 1927

Laurel and Hardy Silents 1928

Laurel and Hardy Silents 1929



Laurel and Hardy sound films
(alphabetical order):


A-Haunting We Will Go

Air Raid Wardens

Another Fine Mess

Any Old Port!

Atoll K (aka Utopia)

Babes In Toyland

Beau Hunks

Be Big!

Below Zero

Berth Marks

The Big Noise

Block-Heads

Blotto

The Bohemian Girl

Bonnie Scotland

Brats

The Bullfighters

Busy Bodies

Chickens Come Home -

The Chimp

A Chump At Oxford

Come Clean

County Hospital

The Dancing Masters

The Devil's Brother aka Fra Diavolo

Dirty Work

The Fixer Uppers

The Flying Deuces

Fra Diavolo aka The Devil's Brother

Going Bye-Bye!

Great Guns

Helpmates

Hog Wild

The Hoose-Gow

Jitterbugs

Laughing Gravy

The Laurel-Hardy Murder Case

The Live Ghost

Me And My Pal

Men O'War

The Midnight Patrol

The Music Box

Night Owls

Nothing But Trouble

Oliver The Eighth

One Good Turn

Our Relations

Our Wife

Pack Up Your Troubles

Pardon Us

Perfect Day

Saps At Sea

Scram!

Sons of the Desert

Swiss Miss

Their First Mistake

Them Thar Hills

They Go Boom!

Thicker Than Water

Tit For Tat

Towed In A Hole

Twice Two

Unaccustomed As We Are

Utopia (aka Atoll K)

Way Out West



Specials:

Cameos

Cartoons

For Love Or Mummy

Laurel and Hardy Memories

"Stan"

The Fixer Uppers

Year: 1935
Directed by: Charles Rogers
Duration: 20m
DVD Availability: Try sendit.com (region 2 only)

Not one of Ollie's subtler performances in this one... Housman once again threatens to steal a film from under Stan and Ollie's nose. In this instance, though, he may as well give it back.

Viewpoint:
"At least I'll be rid of you!"

The first time I wrote a review of The Fixer Uppers for this site it was one of my most scathing. Looking back, I’m not altogether sure why. There is a certain amount of datedness about the concept, of course: after thirteen years of working together and over seventy shorts, they chose for their penultimate short a drawer room farce, and a remake (of Slipping Wives, 1927) at that.

Yet while it’s not personally my idea of a great Stan and Ollie film, there’s very little that’s offensive about it, or even below-par. Ollie’s hammier than usual, possibly trying to force laughs into the rather languid pace, but with Arthur Housman things are reasonably on track. The sets do smack of déjà vu and there’s precious little comic material in there, but it’s certainly nothing awful like I once made it out to be, just… forgettable.

One notable thing here is Ollie’s weight. Comfort eating, largely due to missing his deceased Father, saw him balloon to 250lb by the time he was fifteen, and he looked unhealthily overweight in many of the post-Roach movies. Yet while he was working for Roach, he was rarely fat per se. His 6’2 frame had a certain athletic build that belied his love of sports, and while he was no Schwarzenegger his body fat ratio probably wasn’t through the roof either. The reason for mentioning it? Well, one of the fundamental dichotomies of his life was that he hated being large but realised his livelihood depended upon it – yet here he’s noticeably thinner than usual, and the difference between him and Stan is nowhere near as marked. Is this why The Fixer Uppers doesn’t contain the same comic punch as normal? Discuss…




One of Charles Rogers's directorial touches: the wipe 'Any jokes in this film, Monsieur?' 'Well, Stan and I haven't been able to find any...'