Silent Films:

pre-team 1921-1927

Laurel and Hardy Silents 1927

Laurel and Hardy Silents 1928

Laurel and Hardy Silents 1929



Laurel and Hardy sound films
(alphabetical order):


A-Haunting We Will Go

Air Raid Wardens

Another Fine Mess

Any Old Port!

Atoll K (aka Utopia)

Babes In Toyland

Beau Hunks

Be Big!

Below Zero

Berth Marks

The Big Noise

Block-Heads

Blotto

The Bohemian Girl

Bonnie Scotland

Brats

The Bullfighters

Busy Bodies

Chickens Come Home -

The Chimp

A Chump At Oxford

Come Clean

County Hospital

The Dancing Masters

The Devil's Brother aka Fra Diavolo

Dirty Work

The Fixer Uppers

The Flying Deuces

Fra Diavolo aka The Devil's Brother

Going Bye-Bye!

Great Guns

Helpmates

Hog Wild

The Hoose-Gow

Jitterbugs

Laughing Gravy

The Laurel-Hardy Murder Case

The Live Ghost

Me And My Pal

Men O'War

The Midnight Patrol

The Music Box

Night Owls

Nothing But Trouble

Oliver The Eighth

One Good Turn

Our Relations

Our Wife

Pack Up Your Troubles

Pardon Us

Perfect Day

Saps At Sea

Scram!

Sons of the Desert

Swiss Miss

Their First Mistake

Them Thar Hills

They Go Boom!

Thicker Than Water

Tit For Tat

Towed In A Hole

Twice Two

Unaccustomed As We Are

Utopia (aka Atoll K)

Way Out West



Specials:

Cameos

Cartoons

For Love Or Mummy

Laurel and Hardy Memories

"Stan"

Laurel and Hardy - Memories -

Year: 1998
Written by: Giordan Reynolds
Directed by: Giordan Reynolds
Duration: 62m
DVD Availability: Try sendit.com (region 2 only)

Viewpoint:
"This is probably the last film of Stan Laurel. After this he joined his partner Oliver…"

Tasteful stuff, mawled over by lacklustre narrator Giordan Reynolds. With a series of largely unintroduced, unrelated clips, these Laurel and Hardy Memories feel like 'I remember seeing Flying Deuces and I laughed and laughed - ha ha ha heeeeeeeee heeeeeeeeee!' 'Go away now, you're frightening me'the memories of a war victim suffering random flashbacks. Though for a Laurel and Hardy collector it's almost essential as it compiles together odds and sods meaning you don't have to obtain them individually. So it is you get their miniscule cameo in The Stolen Jools without having to endure the entire film, and their documentary short, The Tree In A Test Tube. You also get some of their scenes from Pick a Star and Hollywood Party. Yet perhaps most disturbing of all, you get their December 1954 This Is Your Life appearance, some four years after they made their final film.

I once knew a girlfriend's grandmother who was so insensitive she took photographs of her husband's emaciated body as he lay dying of cancer. I grew increasingly angry as she related this story, whereby she carried on taking snap after snap while her husband begged her on his deathbed to allow him some dignity in his passing.

The same sort of feeling comes across you when you watch Laurel and Hardy's shanghaied appearance on This Is Your Life. Mistakenly believing they were there for potential work, the two aged icons manage to consistently fail to recognise anyone introduced on the programme. With smarmy, 'Say, do you recognise a single person here, Stanley?' 'Not a bit of it, Ollie - where's my lawyer's number?'insincere Ralph Edwards who believes they made "over 300 films together" and is nothing short of downright rude to Ollie, it's a distasteful sight. Their obvious discomfort and resentment at being there (Stan reportedly complained afterwards) is tangible, and none of the anecdotes are memorable or amusing. Perhaps most notable is Leo McCarey, revealing how Ollie once fell forty feet and producing a concerned silence throughout the indulging audience.

Things do pick up somewhat at the end with appearances in England, even if they do sadly remind you that Laurel and Hardy's act had very little relevance towards the end of their career. An interview with Ollie shows him as a thoroughly nice guy, even if you might detect mild bitterness at the way his act had dated, or utter a puerile snigger at his pronounciation of Larry Semon's surname. Ultimately if you were a Laurel and Hardy collector you'd want this in your collection, but it does tend to range from the ghoulish to clips that you sense the makers were only allowed to use because they were cheap. The last shot? A scene of the two together, where Ollie had lost weight dramatically, "it really was, for this incredibly talented pair, the end." Still, we were spared writer/director/narrator Reynolds sticking his camera in their coffins, at least. Think that's sick? Try this TV movie, the biggest slice of cinematic grave robbery you'll ever witness.