Silent Films:

pre-team 1921-1927

Laurel and Hardy Silents 1927

Laurel and Hardy Silents 1928

Laurel and Hardy Silents 1929



Laurel and Hardy sound films
(alphabetical order):


A-Haunting We Will Go

Air Raid Wardens

Another Fine Mess

Any Old Port!

Atoll K (aka Utopia)

Babes In Toyland

Beau Hunks

Be Big!

Below Zero

Berth Marks

The Big Noise

Block-Heads

Blotto

The Bohemian Girl

Bonnie Scotland

Brats

The Bullfighters

Busy Bodies

Chickens Come Home -

The Chimp

A Chump At Oxford

Come Clean

County Hospital

The Dancing Masters

The Devil's Brother aka Fra Diavolo

Dirty Work

The Fixer Uppers

The Flying Deuces

Fra Diavolo aka The Devil's Brother

Going Bye-Bye!

Great Guns

Helpmates

Hog Wild

The Hoose-Gow

Jitterbugs

Laughing Gravy

The Laurel-Hardy Murder Case

The Live Ghost

Me And My Pal

Men O'War

The Midnight Patrol

The Music Box

Night Owls

Nothing But Trouble

Oliver The Eighth

One Good Turn

Our Relations

Our Wife

Pack Up Your Troubles

Pardon Us

Perfect Day

Saps At Sea

Scram!

Sons of the Desert

Swiss Miss

Their First Mistake

Them Thar Hills

They Go Boom!

Thicker Than Water

Tit For Tat

Towed In A Hole

Twice Two

Unaccustomed As We Are

Utopia (aka Atoll K)

Way Out West



Specials:

Cameos

Cartoons

For Love Or Mummy

Laurel and Hardy Memories

"Stan"

One Good Turn

Year: 1931
Directed by: James W.Horne
Duration: 20m
DVD Availability: Try sendit.com (region 2 only)

Stan messes up again Rumoured to appease his daughter, in this one Stan gets the physical upperhand

Viewpoint:
"You haven't got another cup, have you?"
"What for?"
"The tent's on fire!"


Not one of Laurel and Hardy's better-remembered films, I'm not sure I've even seen this one before. However, while not possessing the same level of charm as some of the others, and featuring a preponderance of stock music, it is actually very funny. It's also possibly the most violent Laurel and Hardy film bar none. Where others had seen physical violence (most notably Our Relations and Busy Bodies) rarely, if ever, had Stan and Ollie been so maliciously violent. Whether it's pouring water over each other's genitals or a protracted climax where Stan angrily beats the Hell out of Ollie, this is pretty vicious stuff. Though hilarious with it, of course.

This heavy reliance on slapstick means you can see the gags coming a mile off, though this probably makes them even funnier still. The delivery, timing and facial expressions are all pitch-perfect. Yet some of the humour is surprisingly sophisticated, with James Finlayson (unusually playing a character with his own real-life name) and Mary Carr parodying 30s melodrama. Perhaps shockingly for the time, Carr kneels in front of him while his trousers fall down. The next shot is through a keyhole in what is almost a parody of "What The Butler Saw".

As for the plot - who cares? This is Stan and Ollie having fun, just another short off the production line. As Simon Louvish noted in his fine book "The Roots of Comedy", this is one of the few Laurel and Hardy movies where their misfortune is a result of external influence, not their own ineptitude. Here Stan and Ollie are reduced to begging as victims of the depression, not their own self-destructive nature. Other than that small touch of social commentary, it's a chance to see the pair beat the hell out of each other, and laugh lots.




Bill Clinton's home video was a popular seller Once this sort of shot was a genuine occurence in Laurel and Hardy's world... here it's a parody