Silent Films:

pre-team 1921-1927

Laurel and Hardy Silents 1927

Laurel and Hardy Silents 1928

Laurel and Hardy Silents 1929



Laurel and Hardy sound films
(alphabetical order):


A-Haunting We Will Go

Air Raid Wardens

Another Fine Mess

Any Old Port!

Atoll K (aka Utopia)

Babes In Toyland

Beau Hunks

Be Big!

Below Zero

Berth Marks

The Big Noise

Block-Heads

Blotto

The Bohemian Girl

Bonnie Scotland

Brats

The Bullfighters

Busy Bodies

Chickens Come Home -

The Chimp

A Chump At Oxford

Come Clean

County Hospital

The Dancing Masters

The Devil's Brother aka Fra Diavolo

Dirty Work

The Fixer Uppers

The Flying Deuces

Fra Diavolo aka The Devil's Brother

Going Bye-Bye!

Great Guns

Helpmates

Hog Wild

The Hoose-Gow

Jitterbugs

Laughing Gravy

The Laurel-Hardy Murder Case

The Live Ghost

Me And My Pal

Men O'War

The Midnight Patrol

The Music Box

Night Owls

Nothing But Trouble

Oliver The Eighth

One Good Turn

Our Relations

Our Wife

Pack Up Your Troubles

Pardon Us

Perfect Day

Saps At Sea

Scram!

Sons of the Desert

Swiss Miss

Their First Mistake

Them Thar Hills

They Go Boom!

Thicker Than Water

Tit For Tat

Towed In A Hole

Twice Two

Unaccustomed As We Are

Utopia (aka Atoll K)

Way Out West



Specials:

Cameos

Cartoons

For Love Or Mummy

Laurel and Hardy Memories

"Stan"

Sons of the Desert

Year: 1933
Story by: Frank Craven
Directed by: William A. Seiter
Duration: 68m
DVD Availability: Try amazon (region 1)/sendit.com (region 2)

Arguably the funniest scene in the movie Charley Chase plays an obnoxious foil to the boys' naiveity in this one

Viewpoint:
"Not pot. Pod-DUH."

I feel almost obliged to write a review of Sons of the Desert, given that it inspired the name of the appreciation society founded in 1965. There's perhaps a case to be had that, as it features a lodge that holds conventions, its name was used for an irony-free title, rather than any great view of the picture itself. After all, an appreciation society entitled Way Out West would be meaningless.

Nevertheless, Sons of the Desert has become passed down in lore as a Laurel and Hardy great, and arguably the biggest influence on dire 90s "Laurel and Hardy" revival movie For Love Or Mummy. For me personally, I'd never seen it as anything more than mediocre, and was amazed at how highly rated it is. Part of the problem is that I always remember it as a short, only to be constantly surprised that it lasts for over an hour. Yeah, Stan and Ollie were often guilty of stretching sparse material, but as this basically retreads their 1928 short We Faw Down (which lasted less than twenty minutes) then it gives some idea of how thin the plot is pulled. What's more, I don't particularly like the representation of Stan and Ollie as society men. Even though they're pulling the wool over their wives' eyes, having them cosying up to Charlie Chase's obnoxious character and wanting to belong defies their anarchic nature. Unlike Groucho, it seems they would belong to a club that would have them as a member, and they don't really do anything to sabotage this, either. So where's the joke? Well, that joke comes later, with a pay off that sees their wives catch them on film in Chicago. As a resolution Stan and Ollie hogging the camera is funny, but not worth waiting 49 minutes for.



Notable lines include Stan's "I may not be king of my castle, but I certainly wouldn't allow my wife to wear any pants", which is one hundred times ruder in England than it is in America, something that would surely not be lost on Ulverston-born Stan. Yeah, any film that has Ollie's backside in a tub of boiling water can't be all bad, but atypically the boys are largely reactive foils to much of the comedy, rather than the central instigators. Watching them descend to second banana status for whole reels is a disagreeable sight, and the song in the middle has no real purpose, other than Stan and Ollie's hilarious reprise sometime later.

In fairness to the film, another reason why I remember it as short is that, despite its thin storyline, it never drags, and Stan and Ollie eat up that hour length with aplomb. It is a decent movie, and one with plenty to smile about, but on a pound-for-pound basis then those laughs don't warrant a full six reels. A strong film that may be ruined for some by being so cruelly overrated.




Stan would rather eat a wax apple than watch the colorised version Ollie after his wife has finished with him